The “diagonal movement” on the left-side of the painting is described to be subdued shades of pink and blue in “strong tension” with the right side of the work of art. The painting also won other awards such as a diploma of honor from the 1891 Exposicion General de Bellas Artes in Barcelona, a gold medal prize at the 1893 Madrid Exposicion Internacional de Bellas Artes during the 400th Anniversary of the Discovery of America. Hay algunas dudas en torno a que río del Hades atravesaba la barca de Caronte. With his angled, slightly crouched position, his figure almost seems impatient to depart. [2], From Infogalactic: the planetary knowledge core, Las Virgenes Cristianas Expuestas al Populacho, La Barca de Aqueronte by Felix Resurreccion Hidalgo, Felix R. Hidalgo, Study: La Barca de Aqueronte, oil on canvas, 1887, “La barca de Aqueronte” by Félix Resurrección Hidalgo, La barca de Aqueronte by Felix Resurreccion Hidalgo, The Wood of the Self-Murderers: The Harpies and the Suicides, Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil, https://infogalactic.com/w/index.php?title=La_barca_de_Aqueronte&oldid=4904295, Pages using infobox artwork with autolinked artist field, Creative Commons Attribution-ShareAlike License, About Infogalactic: the planetary knowledge core, 80.65 cm × 108.59 cm (31.75 in × 42.75 in). This version of the painting is described as romantic in the sense that the anguish of the doomed can clearly be seen against the reality of evil and suffering that is suggested by Charon’s face (Metropolitan Museum of Manila, 146). [1][2], Hidalgo finished La barca de Aqueronte in 1887 when he was thirty-four years old. Contrasting colors of light and darkness, diagonally positioned bodies serve to heighten the drama and produce the impact of violence and confused movement(Metropolitan Museum of Manila, 146). Because when taken into account Hidalgo’s inspiration for the painting, Dante’s Inferno, we can juxtapose and see a parallelism between Hidalgo’s allegorical painting, and Rizal’s political novel. Looking at the countenance of the nude bodies, one can’t tell whether they’ve been judged or not, but one sense the turmoil and unease that they exude as they board the boat in a disorganized, panicked manner that seems to imply that they could be ferried to the place for eternal suffering. What people are saying - Write a review. Neoclassic in style, it is Hidalgo’s interpretation of damned souls journeying across the River Acheron towards the gates of Hell or Hades. Centre de recherches hispaniques, Institut d'études hispaniques, 31, rue Gay-Lussac, 1969 - 469 pages. De los pretendientes dotores y gentes de las uni . He was the third of the seven children of Eduardo Resurreccion Hidalgo and Barbara Padilla. When taking a look at Greek mythology and its underworld, it is said that there is an area where the Judges of the Underworld decide where to send the souls of the person — to Elysium for the good, to the Fields of Asphodel for the neutral, or to Tartarus, which is a dungeon for torture and suffering(Parada, Carlos, and Maicar Förlag). “FELIX HIDALGO.” Geringer Art, Ltd. However, even more to that is how the story of helplessness and suffering, and journeying through hell can still be applied to the context of the Philippines today. Ficha de Sueños morales : corregidos, y aumentados con el papel nuevo de la Barca de Aqueronte, y residencia infernal de Pluton .... Edición digital a partir de Salamanca, en la Imprenta de la Santa Cruz, por Antonio Villarroel y Torres, vendese en casa de Juan de Moya & c., [1743?]. 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