Updated daily and in real-time, we track all high-def disc news and release dates, and review the latest disc titles. It's just the beginning of a nightmare series of bizarre religious murders. The prior Blu-ray for 'The Exorcist III' that Warner Bros. released in 2014 wasn't terrible by any means, but it clearly came from a dated video master (most likely prepared for television syndication) and was given no special attention. The Most Underrated Horror Movie of all time! Although Brad Dourif was excellent playing two roles and pulled off the transitions between them on his own, bringing back Jason Miller adds a new level of tension to the scenes. He is nearly lyrical in his voice, transforming from casual and even funny to homicidal in mere seconds. "I finally heard something in his voice a year ago that made me want to go back and look at it again," said Friedkin. The Exorcist is a 1973 American supernatural horror film directed by William Friedkin and produced and written for the screen by William Peter Blatty, based on the 1971 novel of the same name by Blatty. Unsurprisingly, it completely ignored anything that happened in the 'Exorcist II' movie. Throughout the film, Blatty keeps his filmmaking restrained, with few camera movements. In spite of that setback, author Blatty wasn't quite ready to give up on his creation. The theatrical cut can be watched in your choice of DTS-HD Master Audio 5.1 or DTS-HD Master Audio 2.0 formats. The film is very uneven, is quite noticeably hampered by the studio meddling, and goes off the rails at the end, but it has a number of really terrific scenes, including one clockwork suspense sequence that's remarkably ingenious at subverting viewer expectations. The movie would also be retitled 'The Exorcist III', even though Blatty refused to acknowledge the legitimacy of 'Exorcist II'. "It’s as much a mystery thriller as a horror flick – particularly in Scream Factory’s newly restored director’s cut, which removes many of the direct echoes demanded by the studio and restores a series of lengthy dialogue scenes that are closer to Silence of the Lambs – though there are plenty of good scares in it, particularly a hospital sequence that’s a master class in sustained suspense." The picture is also mildly letterboxed to the movie's theatrical 1.85:1 aspect ratio (as opposed to the Warner copy, which was slightly opened up to 16:9). Evil exists, the movie argues, but it’s up to us to keep that evil at bay, because there may just not be an equal force of good to counteract it. Bringing you all the best reviews of high definition entertainment. Ultimately, he and Friedkin couldn't agree on a direction for the story and the project went into turnaround. Right out of the gate, The Exorcist III places a bigger focus on characters and realistic dialogue than typical horror film conventions. But what tends to get overlooked is The Exorcist III. Unfortunately, those problems may be endemic to the movie's original sound mix. Is this an act of the devil, or simply human evil? The film takes more of a David Fincher-styled approach to horror, using noir tropes and filmmaking sensibilities to manipulate the audience’s imagination and build and maintain tension. Other curious viewers who are perhaps less familiar with 'The Exorcist III' are advised to start by watching the theatrical cut disc in the set first. (Because of the hodgepodge mix of film sources, the reconstructed 'Legion' still prominently lists both Jason Miller and Nicol Willaimson – who played the exorcist in the new ending – in both the opening and end credits even though neither actually appears in this version of the movie.). 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