By using this website you are agreeing to the use of cookies. The identity of the two figures in white is not known. He described Watendlath and this painting in his autobiography (1974, p.30): Watendlath is a white farmhouse lying in a high mountain valley a little to the south of Keswick. Add or edit a note on this artwork that only you can see. Photo credit: Tate . By John Singer Sargent. She left Watendlath on 10 September, which is therefore the latest possible date for the work. Throughout her work Carrington depicted women at different stages in their lives contemplating their own femininity. The identity of these figures is not known; they do not conform to any of the visitors at Watendlath Farm during the period of Carrington's stay. However, she may equally have decided to omit it from the painting. Watendlath is a lovely hamlet, situated high above Borrowdale, in Cumbria. Lytton sits muffled in overcoats reading ‘Family Life’ by C.F. Choose from multiple print sizes, border colors, and canvas materials. Not inscribed Ralph Partridge gave a number away to friends of Carrington and to her brother Noel Carrington. Review our guidance pages which explain how you can reuse images, how to credit an image and how to find more images in the public domain or with a Creative Commons licence available. Apr 22, 2020 - Artwork page for ‘Farm at Watendlath’, Dora Carrington, 1921 on display at Tate Britain. Discovering Britain walkers are welcome to use the Derwentwater Hostel toilets. Carnation, Lily, Lily, Rose. When we visited the Tate, I realized it look very much like the painting Carrington did on her honeymoon in the Lake District almost 100 years ago. In a more directly Freudian sense, she selected women at different stages of their lives directly contemplating their own femininity. Most farms took in visitors for crucial additional income, especially after World War II. Farm at Watendlath quantity. Does this text contain inaccurate information or language that you feel we should improve or change? This painting shows farm near Keswick in the Lake District, where the newly-wed Carrington spent a summer holiday with her husband and their friends. At the time of Carrington's visit in 1921 Watendlath Farm was owned by a Mr and Mrs Wilson, the farmer and his wife, and rooms were rented out to visitors. Located in a classic hanging valley, it is surrounded by fells and sits on the edge of the serene Watendlath Tarn - a popular fly fishing water stocked with rainbow and brown trout. During the period 1917–1921 Carrington's subjects were mostly intimate portraits and landscapes. It is black night outside and rains. She was associated with the Bloomsbury Group of writers and artists, who lived, worked and studied together in London. The female figures are tiny and utterly dwarfed by the sensual background, suggesting a sense of intimidation by her own womanhood. We would like to hear from you. Oil on canvas 611 × 669 (24 1/16 × 26 5/16) Farmer Dick Richardson remembers when there used to be three working farms at Watendlath (there is now one) with nine men employed on them. After a brief honeymoon in Paris, Carrington and Partridge joined Lytton Strachey in Italy and then returned to Tidmarsh around 21 June. Her treatment of the mountains in this painting is acknowledged, by those who knew the geography of the area, to have been quite imaginative. All canvas prints are professionally printed, assembled, and shipped within 3 - 4 business days and delivered ready-to-hang on your wall. Landscape, possibly contemplating their own femininity the Scots pines and those on the left the. N'T want you to see my work unless it 's to my satisfaction ’ ibid.! Are exchanged to break the social norms of the `` typical feminine. on March,... 800×687 px ( 0,3 Mb ) Back to album: Leonora Carrington made on.! 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