Once asserting that 'art is a guaranty of sanity', Louise Bourgeois considered art-making a cathartic process. Louise Bourgeois in costume as Artemis of Ephesus, 1970; Destruction of the Father, 1974. 10/04/2017 by K.Henderson ‘And now she cleans her teeth into the lake …’ (William Empson) ‘The events of my life would fill more than a novel. Website. Only in the last decade has sculptor Louise Bourgeois come to be recognized as one of the great and original talents in American art of the last half-century. Louise Bourgeois was most famous for her spiders, but sex, rage and fear fuelled her greatest art. She began a series Over her 80-year career, the French artist tackled themes of sexuality, desire, gender and the unconscious through prints, … "Femme Maison," a white marble statue of 1983, is a sweeping triangle of darts and folds. This is a blog for a school project. Inquire. Femme Maison (1946-47) The Femme Maison series of paintings are a poignant exploration of female identity, worked on in conjunction with Bourgeois' transition into motherhood and American life. Its extraordinary art collection includes modern and contemporary art such as Femme Maison (Louise Bourgeois). She experienced marriage, home life, living in a new county, and raising three children. The Museum of Modern Art (MoMA) is a place that fuels creativity and provides inspiration. She Became Famous Later In Life. Femme Maison is the most famous series of paintings produced by Louise bourgeois between 1946 and 1947. (31.1 x 23.5 cm.) Bourgeois, Louise. The two pieces shown and some of her personages pieces were made here and influenced by the tall buildings that surrounded her. Louise Bourgeois was a painter and sculptor born in Paris, France in 1911. From today’s perspective, the art of Louise Bourgeois is not only … Women’s figures with a house in place of the head is a direct statement about about women are traditionally expected to remain as domestic figures in the household. One may conceive and analyze the Femme-Maison series through a …show more content… After she married she moved to the United States and continued to pursue art. This article focuses on her influences and driving forces to create the art she made in her long lifetime. Please leave your contact information and we will get back to you as soon as possible. Each was motivated by a desire to connect with love ones or stemmed from resentment of the family betrayal from her childhood. Femme maison … Louise Bourgeois with her sculpture Baroque (1970) in 1983. Architecture was a motif she used throughout her career to symbolize her feelings. She saw architectural structures as a place of refuge. Bourgeois, Louise, Femme-Maison, 1947, ink on paper, 9-15/16 x 7-1/8 in., Solomon R. Guggenheim Museum, New York. (lower right) ink and gouache on paper 12¼ x 9¼ in. And we can tell it's a self-portrait because the hair that comes out of the house was a signifier of Bourgeois’ own long hair . Blind Leading the Blind, 1947-49. This sculpture was made as a portrait, or ode to her mother. Femme-maison, 1946-1947 Oil and ink on linen, 91.50 x 35.50 cm. Louise Bourgeois - “Femme maison” (1946-1947, óleo y tinta sobre lienzo, 91 x 36 cm, colección particular) Louise Bourgeois es una artista que no deja indiferente a nadie.Sus mejores obras son las esculturas y las instalaciones, impactantes y angustiosas hasta decir basta, pero también hizo algunos cuadros muy buenos, entre los que destaca la serie de las “femme maison” (mujer casa). And raising three children in an apartment in Manhattan and utilized the rooftop space as her outdoor studio Modern! 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